Gene VanWyk


    Exemplifying life in rural and industrial America, my work provides insight into the philosophies encountered in this landscape. With post urbanism on the rise and more people looking to employ sustainability and social equity in their lives, these moments need to be confronted and deconstructed. 
    Using found or repurposed materials, I create small-scale replicas of everyday architectural elements: doorways, windows, telephone poles, billboards, and exhibit them in unexpected positions in relation to the viewer. The scale, placement, and content show the loneliness of these structures we see and use every day but never give a second thought. Their placement in the space plays with the power dynamic that would usually exist between a viewer and work of my scale.
    My work reveals the ghosts of interaction by exploring what remains when utilitarian elements are taken out of their usual context. The physical connection to the gallery environment fosters communication and interaction with other unseen but implied entities when placed within their walls. 
    My practice is driven by my experience with disability and the importance and struggle of communication. My work with apparent lonely communicative structures is a projection of my own experience.

Mt.CrawfordII
AdSpaceForRent
AdvertiseHere
PedestalForSale(Sold)
UntitledLaundromat
UtilityPole
FireEscape
FrameForSale(Sold)
WarehouseAvailable
WouldYouLikeMeToPrayForYou?


Student Work

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Mt. Crawford II (2024)

wood, glass, metal, paper, plastic, gouache, sandpaper, soil, electrical component

 12 x 10 x 8”



Ad Space For Rent (2022)

wood, paper, gouache

6 x 10 x 3”



Advertise Here (2024)

paper, gouache, acryllic

1.5 x 4”
Pedestal For Sale (Sold) (2024)

oil on plastic, fishing line, nails, found object

dimesions variable
Untitled Laundromat (2023)

oil on board

6 x 6”
Utility Pole (2024)

mixed media, found objects

48 x 12 x 12”
Fire Escape (2022)

metal

18 x 1 x 1”
Frame For Sale (Sold) (2023)

found object, gouache on plastic
Warehouse Available (2023)

1.5 x 5 x 0.25”
Would You Like Me To Pray For You? (2024)

film photography




Student Work



Izy Thompson

Old and Advanced (2025)

Matboard, fabric, plastic, paper

3.8” x 3.7” x 3.7”



Natalie Son

Cigarette (2025)

Paper, acrylic paint, tape, wire, fabric, thread

16” x 22”



Sierra Juritsch

Fridge (2025)

plastic, cardboard, beads, magazine paper, string, stir sticks

4 ¾” x 1 ⅝” x 1 ¾”



Drew  Ludwig

Wooden Keyboard (2025)

Wood, dowel rods, paper, wire, glue 

12" x 6" x 9"



Aiden Ortiz

Head in the Clouds (2025)

Fabric, Stuffing, Armature Wire

2’ x 2’ x 2’




Aiden Ortiz

Fear of the Unknown (2025)

Found objects

Dimensions varriable

“For this piece, I collected items from around my house and stuck them to the underside of the tables around the two classrooms...” The intention is for the objects to be felt while remaining unseen, letting the viewers’ minds wander.



Diego Pons 

Blown Out Brain (2024)

chicken wire, paper mache, pencil rods, electrical wire 

5 ft,10 in X 4ft X 5ft



Tyler Wolfe

Painter (2024)

wood, fabric, twine, wire, and tape

7.5" x 4" x 16.5"



Elanor Lam

No Room Left on the Moon (2024)

Paper Mache, wood, tin foil, acrylic

13 x 10.5 x 10

 

Ethan Funk

Just One More Life

(2025)

Matboard, cardboard, wire, fabric, and string

1” x 3.75” x 4.5”